Perfect for newspaper work, editorial design, materials intended to invoke an "old-timey" flavor, or just about anything in need of personality. Usage recommendations: Display type or text-setting. It features classy, thoughtful, and delicate swash capitals and rugged lowercase characters with a low x-height and gracefully long ascenders and descenders. What are its main characteristics and features? Pompeian Cursive is a typeface which functions as both a display face and a limited text face. Cooper is without a doubt my favorite type and lettering designer, and to bring a refined return to his original intentions is an immense gift. While a number of foundries have released interpretations of Cooper’s assorted typefaces, they stray from the original rather dramatically in parts. What was the inspiration for designing the font? While researching a biographic essay for Japan’s IDEA Magazine, I came across the original proofs and drawings for Pompeian Cursive. Pompeian Cursive has been intensively spaced and kerned for the finest setting for weddings, announcements, and general display work. By reviewing the few remaining original drawings for the type, as well as copious samples of Pompeian Cursive from both Cooper & BB&S' proofing process and period-specific type specimens, Wordshape presents the first digital version of this classic hybrid script/sans typeface, complete with all original alternate characters and ornaments. A lively set of non-lining numerals accompanied, as well as a few calligraphically-inspired flourishes for ornamenting the end of lines of type accompanied the typeface, as well. The typeface featured a limited number of alternate characters and a handful of graceful ligatures. Your own efforts through the years to boost the foundry into a place in the sun as an originator seem wasted.” Still, Cooper took up the task at hand, creating a delicate, sophisticated type design which he named Pompeian Cursive. In response to BB&S’s desire to emulate instead of innovate, Cooper wrote to Mcarthur, “I am desolated to see Barnhart’s hoist the black flag. In 1927, BB&S requested that Cooper create a script-like cursive typeface design in step with Lucien Bernhard’s Schoenschrift and ATF’s similarly-styled Liberty typeface. The history of this typeface: Oswald Cooper’s relationship with the Barnhart Brothers & Spindler foundry was one instigated under the auspices of creating new styles of type in lieu of following stylistic trends. A lively set of non-lining numerals accompanies, as well as a few calligraphically-inspired flourishes for ornament. Pompeian Cursive is a calligraphically-inspired display typeface featuring a limited number of alternate characters and a handful of graceful ligatures. EINSATZGEBIETE Der Font würde sich über folgende Gebiete sehr freuen und sich dort wohl fühlen: Logos/Wortmarken aller Art, Flyer für fast jede Party, PlattenCover, CD-Cover, PlakatDesign, Game- und Videospiel-Design aller Genres, als Headlineschrift für print und digitale Magazine, Bücher, Webseiten… TECHNISCHE INFORMATIONEN Headline Font | Display Font | Deko Font »curly lava bubble« OpenType Font mit 3 Schriftschnitten (light, regular, bold) & 305 Glyphen inkl. Wobei »curly lava bubble« noch weiter geht und die harten rechteckigen Kanten zu weichen und fast schon organischen Formen ausbaut. accents & € KONZEPT/BESONDERHEITEN Der Lava/Seifenblasen/Pudding Charakter der Schrift lässt an eine moderne Bitmap Pixel Schrift erinnern. APPLICATION AREA The fancy, modern & decorative font »curly lava bubble« would look good at display size for party flyer & movie poster, music covers or headlines in magazines or websites… TECHNICAL SPECIFICATIONS Headline Font | Display Font | Decorative Font »curly lava bubble« with 3 stlyes (light, regular, bold) & 305 glyphs inkl. The rectangular hard edges expands to soft and almost organic forms. CONCEPT/ CHARACTERISTICS The lava/soap/pudding character of the font reminds us of a modern bitmap pixel font.
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